Architect |
Zoboki-Demeter and Associates Architects |
Date Built |
2002 -
2005 |
Location |
Komor Marcell St 1 |
Description |
|
The spectacular Palace of Arts
in Budapest occupies a site beside the
Danube and adjacent to the National
Theatre. Like the Sage in
Gateshead, in the UK, the Palace of Arts
is made up of three elements enclosed
within the one outer shell. As the
centre's website explains, "The
Palace of the Arts is the
southern closure of the series of
plots along the Pest-side Danube
bank between the Petőfi Bridge and
the Lágymányosi Bridge. Its main
elevation looks onto the central
square, instead of the Danube. Our
principle for the composition was
that the three independent cultural
units should not get over or under
each other at any place, but their
public circulation places should be
interconnected. The complex to be
constructed on the plot serves a
treble cultural function. It
harbours the Bartók National Concert
Hall, the seat of the National
Philharmonic, the Festival Theatre,
the dance theatre and the Ludwig
Museum of contemporary art." A large common foyer serves all of the venues and provides areas for the audience to gather, cloakroom and ticket services, hospitality areas and wide stairways and balconies. The largest of the internal spaces is taken up by the Bartok Bela National Concert Hall which can seat 1607 people and has additional space on the third level for students to stand at a reduced price. The architects explain that, "An important element of the hall is the movable acoustic canopy system floating above the podium, reaching also over the auditorium, consisting of three elements. The variable acoustics of the hall is also served by the system of the huge reverberant chambers placed along the side walls of the podium and the auditorium, which can modify the volume of the hall and the reverberation time by moving large-sized and heavy doors. The moveable curtains covering the walls of the concert hall are also part of the adjustable acoustic system." The hall is home to the National Philharmonic Orchestra. The Festival Theatre is a much more intimate space accommodating an audience of 450. The architects say that it was designed as, " ... the home of the House of Traditions. This is why the design of the hall was adjusted to the powerful folk music performances. ... The hall ensures the same multifunctionality as the concert hall – in its own scale. Dance theatre productions, music theatre guest performances, small classical music concerts or chamber operas can be organized here..." At the Danube end of the building is the Ludwig Museum of Contemporary Art. It is home to a collection of 70 pieces of art donated by Peter and Irene Ludwig. The Ludwig's website says of the museum that it is, " ... the first Hungarian Museum of Contemporary Art with a truly international collection. It permits exciting comparisons to be made between the outstanding objects of American Pop Art and their Hungarian contemporaries of the sixties, on whom they evidently had an extremely stimulating influence." The Ludwig's impressive collection of art is on display in a number other museums and institutions that bear their name located in Aachen, Bamberg, Basel, Koblenz, Cologne, Oberhausen, Beijing, Saarlouis, St. Petersburg and Vienna. The architects say of the Ludwig that it is, " ... the most silent part of the block. Arising from the geometry of the plot and the function, it is separated from the other two “collective/performing” functions. The strength of visuality was composed not by turning away from the environment, but by the continuous dialogue between the cityscape and the venue. A recurring element of the walk in the exhibition spaces located in this concise block is the sight of the Danube and the city through the glazed walls of the stairs and the resting areas in the exhibition space. |