The Park Hill Flats are a huge housing
development from the 1950s that literally looms
over Sheffield Centre ranging along the skyline
atop the hill behind Sheffield Station.
Inspired by the architecture of Le Corbusier,
this structure was designed by Jack Lynn and
Ivor Smith. The flats were designed to
replace the tenement slums that once occupied
the site. The Park Hill Flats were
intended to provide modern homes beside "streets
in the sky". In the case of the Park Hill
Flats this was literally true since the ramps
and terraces that provided access to the flats
were wide enough to drive vehicles along.
The milkman could still drop off bottles at each
door from his milk float.
The
construction involved an exposed concrete
frame filled in with walls of yellow, orange
and red brick. The complex incorporated
blocks that varied from eight to thirteen
storeys. It also offered a shopping
precinct and a primary school.
Neighbours were rehoused from their slum
houses into adjacent flats in an attempt to
preserve communities. However, as with
similar developments of that era, what started
out well ended badly. A combination of
building flaws, that resulted in serious
problems for residents, and increasingly
lawlessness behaviour resulted in people
moving out in large numbers and difficulty in
finding people wanting to move in.
Apparently it became known as San Quentin.
It was therefore quite a surprise when in 1998
it was designated as a Grade II Listed
building. Critics thought that it would be
more appropriate to demolish them rather than
protect them. Since then Urban Splash and
English Heritage have set to work on restoring
the two 13-storey blocks. They stripped
back each block to the concrete frame and set to
work to create "upmarket apartments" and "social
housing units". That work is still
underway.
The site had a famous piece of graffiti which
said, "Clare Middleton I love you will u marry
me" written on one of the bridges that link the
blocks. Urgan Splash have selected that as
a theme for the new building and "imortalized"
it in neon on the bridge.
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