The Michael Lee-Chin Crystal - The Royal Ontario Museum
Bloor Street, Toronto, Canada



Architect
Daniel Libeskind
Date Built
2007
Location
Bloor Street West and Queens Park
Description
Without question the most controversial building in downtown Toronto is the Daniel Libeskind's Michael Lee-Chin Crystal.  It is the centre-piece of a major reconstruction of the Royal Ontario Museum named after the person who donated £30 million towards its construction.  The whole project, which cost approximately $270 million, included the construction of this landmark Crystal building, as well as upgrades to existing buildings and galleries.  The Crystal opened to the public in 2007 but work on the rest of the project continued until 2010.



Daniel Libeskind says that the name Crystal is derived from, "the building’s five intersecting volumes, which are reminiscent of crystals.  The intersection of two of the crystals, each of which is dedicated to new galleries, creates a void, known as the Spirit House.  Essentially a large atrium rising from below ground level to the fourth floor, and containing a number of criss-crossing bridges at various levels, the Spirit House is intended to be a place for visitors to reflect upon the exhibitions they have experienced in one of the gallery spaces before moving on to the next.  A fourth crystal, known as the Stair of Wonders, is dedicated to vertical circulation but also features exhibition vitrines at the landings.  A fifth crystal houses the major new restaurant."

As you can imagine the addition of such a radical building design on to a well loved Victorian building was not received quietly.  A similarly "challenging" extension design for the Victoria & Albert Museum in London by Libeskind was eventually dropped.  However, William Thorsell, chief executive of the ROM, was quoted in 2007 as saying that, "It's just a wonderfully extravagant moment for Toronto," adding that he believed the flamboyant design would set a new standard for Toronto.  Libeskind, Thorsell said, is, " .. one of these real artists who has pulled back the curtain on a new face of beauty ....  I think he's teaching us that beauty comes in many guises,  just like painters have over the centuries."

On the other hand an article by Alexandra Posadzki in the Toronto Star on November 22, 2009, reported that the Crystal had been ranked Number 8 among the World's 10 Ugliest Buildings.  I should add that two others in the list were ones I rather like.



























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