The building comprises, "Seven storeys, the top storey set back, all above a basement and car park. It occupies a corner plot on New Bond Street and Bruton Street, the main entrance being on Bruton Street. ... Mounted on the transom above the entrance is a nickel bronze sculpture, 'The Symbol of Community' by Maurice Lambert RA" ....


... The building was designed to stand free of the buildings round it, and as there is no conventional lightwell, the open space between it and its neighbours, from the second floor upwards is important. Split level terrace gardens at 1st floor level at the rear and 2nd floor level facing Bond Street bring light into the building on all sides, and particularly as originally conceived, to the double-height reception area, now offices and show rooms. The central lift stack, with two opposing secondary stairwells wrapped round it, occupies minimum space."

Michael Rosenauer was acknowledge for the way he integrated art, especially sculpture, into his architecture.  On a number of occasions he submitted designs that involved Henry Moore as a collaborator.  This building was one of them.  There are four Moore sculptures integrated into a screen around the building's terrace and visible from the street.  Moore said of them, " The fact that it is only a screen with space behind it, led me to carve it with a back as well as a front, and to pierce it, which gives an interesting penetration of light, and also from Bond Street makes it clear that it is a screen and not a solid part of the building."  Apparently, at one stage Moore, "... had the idea of trying to make the four components of the frieze revolve, but the building work was too advanced and the concept too expensive to carry out."